In autumn of 1941, after months of careful correspondence and planning, Adams was given a commission by the U.S. Government, setting off on a government-funded journey through the West. The intent was clear: Adams would create photographic murals that not only preserved the sublime landscapes for posterity, but also instilled awe and pride in all who viewed them.

In 1962, Ansel Adams stood in the windswept Marin Headlands, Polaroid camera in hand, to create an image as innovative as the film he loved. “Stream, Sea, Clouds, Rodeo Beach” is both intimate and expansive, modern and timeless—a rare combination.