Some photographs remained important to Ansel Adams long after the moment they were made. Among them was Aspens, Northern New Mexico (Vertical), a photograph that discovered Ansel as much as he discovered it.The Ansel Adams Gallery is pleased to offer a breathtaking original print of Aspens, Northern New Mexico (Vertical) in excellent condition, and now available for collectors.
Learn more about Ansel’s portrait of O’Keeffe and Cox. The photograph was made at the rim of Canyon de Chelly.
Ansel Adams made this photograph of Maroon Bells in 1951, while traveling to one of the first meetings of the Aspen Institute, a gathering of intellectuals and artists set amidst Colorado’s natural beauty.
Ansel once wrote, “A true portrait should, today and a hundred years from today, be the testimony of how this person looked and what kind of human being he was.” Among the most striking of Ansel’s portraits is his 1937 photograph of Georgia O’Keeffe, an American icon who, like Ansel, needs no introduction.
Taken on the cusp of what some call his “operatic stage” Ansel Adams’ “Thundercloud over Lake Tahoe,” captures his signature dramatic treatments of light and weather, and how he was able to effectively master both.
Moonrise, Hernandez (1941) is not just a piece of history but evidence of a rare alchemy: when preparation met inspiration, creating something genuinely immortal.
Ansel Adams beautifully captured the rugged splendor of Monument Valley long before it graced the silver screen in John Ford’s films, immortalizing a landscape that would one day host John Wayne’s legendary rides.
We are excited to offer a signed photograph of “Sodium Sulfite,” a rare 1962 print by Ansel Adams. This image highlights the science behind his art and is valuable for both photographers and collectors.
Learn more about Tetons and the Snake River. This photograph was for The Mural Project and shows the grandeur of National Parks in an exceptional light.
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