“Every time I put a Special Edition negative in the enlarger it is like getting together with an old friend.”
– Alan Ross.
Today June 25th, 2025, we are celebrating 50 years of Alan Ross, one of Ansel Adams’ longtime photographic assistants, being the printer of Yosemite Special Edition Photographs–a process that he says remains a true “labor of love” to this day.
Ansel Adams created the first Yosemite Special Edition Photographs in the later part of the 1950s, carefully selecting eight of his photographs of Yosemite National Park to be made into 8×10 inch silver gelatin photographs available exclusively to park visitors as high-quality and affordable souvenirs. Over time, he grew this collection, adding more images, intending to fully showcase the sweeping majesty of Yosemite. His hope was to inspire park visitors to become activists for Yosemite’s preservation and instill a deeper desire to advocate for its protection.
Although early-on Ansel made most of the Special Editions himself, he would end up training a succession of his photographic assistants on how to print the Yosemite Special Edition Photographs from the original negatives. In 1970 his assistant Ted Orland was the first to do the printing from set-up to developed and fixed prints. Alan worked under Ansel’s direct observation from 1975 until 1984 when Ansel passed away, and has been producing the series–following Ansel’s detailed instructions–ever since. (1)
Reflecting on this anniversary, Alan Ross says “Over the 50 years I have been the sole printer of Ansel’s Special Edition prints, I have often paused to reflect on the honor and pleasure that that “work” has given me. Every time I handle one of his original negatives or see the image I have exposed emerge from a white piece of paper in a tray of developer, I am moved by the feeling of the faith and trust Ansel had in gifting me the experience of making these prints.
When I left his full-time employ in 1979 to move and start my own photography studio, he told me he understood and supported my decision but also told me he really liked the way I had been making the prints for the last four years and asked if I would be willing to continue. It meant that I would need to commute to Carmel from San Francisco on weekends nearly once a month, but his friendship and belief in me made that travel much more like visiting a friend than doing any kind of work.
When printing the SEPs while he was still alive, I always set up the negative and darkroom, first making what I hoped was a print that would please him, and I always took that sample out to him to ask his opinion. He might point to something, saying “make this a little lighter or darker” or “give it a little more or less contrast”. Then I‘d make another print or two until he’d give me a pat on the back, saying “ya got it, man.” Then I’d begin the batch processing.
In 1984, I was in the darkroom making prints and sent samples over the hospital for him to comment on. A week or two later he, as he tended to put it, ‘passed into the final wash.’”
In his autobiography written before his passing Ansel was quoted to say, “The success of [Yosemite Special Edition Photographs] depends on their consistently high print quality, and that hinges upon the assistant I choose to print them… Alan was my photographic assistant from 1974 until 1979 and he continues to sensitively make the Special Edition Prints. He knows the negatives as well as I do, and interprets them as closely as possible to my original fine prints of those images.” (2)
In honor of this special anniversary, we invite you to explore our exclusive collection of Yosemite Special Edition Photographs, and experience the undimmed magic of each piece that has continued to captivate park visitors and beyond, for so many years.
Half Dome, Merced River, Winter
Yosemite Special Edition Photograph
Ansel Adams Gallery Exclusive
Gelatin silver photograph from Ansel’s Original negative
Image Size: Approximately 8×10″
Ansel Adams Signature embossed logo
Professional framing available
FOR QUESTIONS & MORE INFORMATION
Please contact info@anseladams.com
or call 209-372-4413
Sources:
1. Ross, Alan. “Special Edition Print Technical Data.” Alan Ross Photography, Alan Ross, 2025, www.alanrossphotography.com/ansel-adams/yosemite-special-edition-photographs.
2. Excerpt from original draft of Ansel Adams’ Autobiography, p. 11.
Last Updated on June 25, 2025











Morning, Merced River, Signed Special Edition Photograph by Ansel Adams
Georgia O’Keeffe and Orville Cox, Canyon de Chelly National Monument, Arizona, 1937 by Ansel Adams